
This is part three in my series of tutorials about creating comic art on the computer. Check out Parts 1 & 2 here:
Part 1: Sketching and Pencilling in Photoshop
This part will be about coloring your line drawing in Photoshop. Enjoy!

This is part three in my series of tutorials about creating comic art on the computer. Check out Parts 1 & 2 here:
Part 1: Sketching and Pencilling in Photoshop
This part will be about coloring your line drawing in Photoshop. Enjoy!
This is part two in my series of tutorials about how to make comic book art on the computer. If you have not read the first part, Sketching and Pencilling in Photoshop, you might want to give it a look. Go ahead, I’ll wait…
Ready? Okay, now that we have a nice and refined pencil sketch, it’s time to give it some ink.
I recently received a request to write a tutorial about creating comic book art on the computer. Although I don’t work as a comic artist, I’ve always been fascinated by the process. So, this will be part one in a series of tutorials that will outline how I would make a comic digitally.
This was a very fun experiment, and I hope all of you, even you non-comic artists, can learn something new by this series. And by all means, if there are any “real” comic artists out there with any input, please leave a comment on this post.
Have you ever wondered how I create my videos for this website? This tutorial is for every artist who has ever wanted to record their digital painting process in order to share with others, or simply watch for fun later. Here, I will cover the screen recording software I use and how I go about shooting, editing, and distributing my digital illustration demos.
This post is quite a doozie, and it answers one of the most commonly asked questions that I get from you readers. Enjoy!

One of the biggest challenges a beginning painter will face is learning to paint flesh tones. The skin is highly complex, made up of varying colors and textures; if you get one thing wrong, you could end up with some pretty scary results.
Here’s a few simple tips to help you conquer this problem.

Reader Dan recently emailed me with this:
[I] think it would be a great idea to share some of your discoveries in the realm of brushes. I have been experimenting since I got my Wacom but still would love to hear what you have to say about things like opacity, flow, jitter…
So, in this tutorial, I’m going to give you a tour of the brush palette and some other simple brush settings. Working with just the standard round brush, I’ll show you how a few little tweaks can help get a more natural feel in your digital artwork.
If you are going through the process of digitizing your traditional paintings, you have undoubtedly noticed that not all of your artwork fits onto the standard 8.5″x11.7″ glass of your flatbed scanner. Have no fear! With a few minor Photoshop tips, stitching together your large paintings doesn’t have to be such a hassle.