July 20th, 2011
[flickr id="5958273894" thumbnail="medium_640" overlay="false" size="small" group="" align="none"]
I have been having a TON of fun lately drawing on my iPad. I’ve had my iPad for about a year now, but I’ve only used it to doodle occasionally. I finally decided to sit down and really see how far I can take a painting on this device. I’ve been very happy with the results.
Here’s a few more drawings I’ve made so far:
[flickr id="5956661962" thumbnail="small" overlay="false" size="large" group="" align="none"] [flickr id="5956100761" thumbnail="small" overlay="false" size="small" group="" align="none"] [flickr id="5956093539" thumbnail="small" overlay="false" size="small" group="" align="none"]
I started a Flickr set where I can keep all my iPad paintings. You can go there if you want to see all my drawings so far, and others I may post in the future: http://flic.kr/s/aHsjvnJPN4
Read on for my answers to iPad art FAQs
May 9th, 2009
When speaking about artists’ websites, an art director recently made a comment that caught my attention – he is annoyed when he can’t view them on his iPhone.
The comment was half-joke, half-serious, but it brought up an important point. You never know what potential clients are out there, and what they are using to view your work.
And so I went home and made an iPhone version of my web portfolio.
Why make an iPhone website? Is it necessary?
No, I don’t think every artist should go and make an iPhone portfolio right this minute. Quite frankly, I don’t expect a lot of visitors to my mobile site. However, I DO think artists should keep these ideas in mind. The use of iPhones and other mobile phones is on the rise, and artists should always be thinking of ways to make it easier for clients to access their work. At the very least, avoid flash and multi-media rich websites that don’t work on mobile platforms.
It was a fun experiment and it didn’t take long to create at all. I know it will make at least one art director happy, so that alone is worth it.
So if you have the know-how and a little bit of time, I say it’s worth the extra bit of effort. It might not matter to most of your clients – but it might mean the world to the few who happen to be on an iPhone.
Here is an in-depth review of how I put the site together.
December 10th, 2008
You work hours and hours on a digital painting. You render in tons of details, play with the values, and fuss with color until it is just right. You finally get it about perfect. And then you go to print it…
If, for you, this story ends in disaster this article is for you.
Let me start by saying that I am not an expert on this subject. Printing can get complicated and messy, and terms like ICC profiles, color spaces, and monitor calibration can really make your head spin. For the most part, I leave these things for the professional printing arena. In my own work and in this article, I try to keep things simple – creating good quality prints to display, promote, or sell without them looking stupid.