In the digital world, there are literally millions of colors available for you to use. Photoshop provides its own color picker, but if you’re looking for a more traditional solution, here’s a quick little tip to get you started.
This is a head study that I painted in Photoshop in an attempt to create a more traditional painterly image. You’ll probably recognize this guy if you watch the TV show Heroes.
I’ve done something a bit different for this video than I’ve done previously. Here, I’ve recorded my entire screen so you can see what I am doing in Photoshop. I’ve also encoded this video at a larger size so you can see it better. I hope you like the changes. Enjoy!
Find notes for this video at DaniDraws.com.
Creating your own custom brush is really quite easy:
- Open an image, any image.
- Select all or part of the image.
- Go to Edit –> Define Brush Preset.
- Voila! New brush…
You can use anything from scanned textures, photographs, or drawings to make new brushes. The real key to creating a brush is understanding how they work and finding the right settings. In this tutorial, I’ll give you a few tips and show you how to create some specific brushes to get you started.
In my daily browsing, I occasionally stumble across other websites that share the same enthusiasm for art, illustration, and learning that I try to encompass here on DaniDraws.com
If you register on the site, you can also post your own gallery of artwork for other users to rate and comment on. And the best part is that you can do all of this for free!
I was honored to get the opportunity to collaborate with Amateur Illustrator recently. In an effort to bring great content to both of our audiences, I have written a tutorial that will be shown exclusively on their site. You can find it here:
Layer Tricks for Digital Painting – http://www.amateurillustrator.com/articles/?p=367
This tutorial explains some of the various parts of the Layers palette in Photoshop. Some ideas include:
- How to use layer effects, such as drop shadows, bevel/emboss, and glows, to add some additional interest to your painting.
- How to use layer masks to edit and erase objects, without actually deleting them.
- An explanation of all those blending modes (Multiply, Overlay, etc.). Iâ€™ll cover what exactly they are doing and some good ideas for using them in your painting.
So while you are checking it out, be sure to take a look around. I guarantee it will be worth your while.
A quick little portrait sketch I made.
See more info about this video on the DaniDraws.com website.
In this tutorial, I’ll show you how to recreate the look and feel of a watercolor painting on the computer. Some topics include:
- How to create a textured “paper”
- Which textures work best
- What settings to use for your brushes
- Specific brushes to use
Every tool I use is included within Photoshop CS itself. With these few simple tips, you can start creating your own natural looking watercolor paintings with all the advantages that the digital world has to offer.
As many of you might know, Adobe recently came out with a new public beta version of Adobe Photoshop (If you haven’t, check it out here). Be sure to download a copy for yourself and give it a test run.
My CS3 Woes
I was so excited to hear about CS3 that I immediately went to get a copy. I installed it, launched it, and opened up one of my unfinished illustrations. I was ready to get to work and start playing with my new toy. But then I quickly realized some problems: all of the brushes, textures, and other tool presets that I spent hours getting just right were not available; all of the preferences that I had set in Photoshop CS were now set to “default” again in CS3; and I had to dig to find some of the palettes that I use frequently while I’m painting. I was now set with the arduous task or resetting all of my preferences, presets, and workspaces so I could get down to painting. In doing so, I have come up with this list that will hopefully make it easier for both me and you in the future.
Prepare for CS3 Now
These tips can be applied to any version you may be installing, not just CS3. Maybe your moving to a new computer, or your co-worker just messed around with your palettes while your weren’t looking. Whatever the case, by going through this small checklist, you can be sure that your transition will go as smoothly and easily as possible. And if you do upgrade when the official version of CS3 is released in 2007, you won’t have to worry about wasting precious painting time by configuring your program. For someone like me who uses this software every day as a means to make a living, this is key.
With this sketch, I experimented with using a limited palette of oranges and grays. Painting time: 1 hour 17 minutes
See more info about this video on the DaniDraws.com website.
Spot illustrations, or vignettes, are usually not contained in the familiar rectangle. Unfortunately, that’s the only shape of canvas you can get in Photoshop. However, if you define the shape of your work area before you begin by using a layer mask, you won’t have to worry about “coloring outside the lines” while you are creating your painting.
Digital art is often thought of as flat or mechanical, but textures can quickly create more interest and depth. Here, I will talk about how to make your own textures and various ways that you can use them in Photoshop. This is an important step towards creating more painterly work in the digital world. I’ve also included some free hi-res textures for you to download and use in your artwork.
Before I went to college, the only digital art I produced were little scribbles I made with my mouse in Microsoft Paint. Then, in my second semester, I took a little class called “Introduction to Computer Imaging” where I was first introduced to Photoshop. One of the first things I learned in that class was how to scan and color a drawing. I was absolutely fascinated with the idea of being able to put my drawing on its own layer and be able to color it without worrying about ruining it.
My drawings are still an integral part of my digital paintings. Whether it is a clean ink line or a rough sketch, it can be an important tool and a deciding factor in the overall look of your painting. Here’s some tips on how to prepare and use your drawing when painting in Photoshop.
I usually don’t use “tricks”, such as filters and effects, when I’m painting in Photoshop. If I do, it’s only for a subtle texture, a quick drop shadow, etc. – but nothing major. However, when painting this cake for my “Cake Eater” illustration, I purposely used a few layer effects to make my job a bit easier.
This post expands upon the video posted here.
This video was previously posted on my other blog. One day, I sat down to do this painting, and decided to record the whole process. It was a fun experiment, and I thought it turned out really well. Hopefully, I can use this new website to feature more of them in the future, in addition to other articles and tutorials. Here’s some additional information behind this video…