Illustrating a Children’s Story, Part 5

I recently wrote another post about Starting Over. Well, there was a reason that subject was on my mind.

It’s been awhile since my last Three Little Pigs post, and there’s a simple reason: I didn’t like it. Something irked me about the project and I lost all excitement for it. So I was left with a choice – I could completely abandon it or finish it. I’ve already made so many posts about the project that I feel an obligation to see it through, so that is what I’m going to do. (That was, after all, one of the reasons I put my process out in the public eye – so in that way, at least, I was successful. Hurray for me.)

Going forward, I could either take the sketches I already had and finish it, or do some major revisions. The first choice would be easier, but I’d be miserable doing it. The second choice would take more work, and would probably also make me miserable for awhile, but I’d like the product better in the end.

I almost went for the first choice. I was really really close. And you readers out there probably would have never known any different. But I didn’t.


Re-evaluating

So for the past few weeks, I’ve had the Three Little Pigs stewing in the back of my mind, trying to figure out where it all went wrong. Here’s a few thoughts that came to mind:

  • The story didn’t flow.

  • The characters weren’t expressive enough, and the fun I had while making the character designs was not showing through.

  • It was becoming too much work, and I feared I would never get it done.

So, I made some changes:

  • I made new sketches and rearranged the story. I went back to the beginning, made new thumbnails, rearranged some things, and tried to work things out. I was prepared to replace every single sketch if need be. It was a scary thought, but I would have. Ultimately, I was able to recycle a few sketches.

  • I lengthened the format of the book. The eight pages I had planned just wasn’t long enough to get a good story across.

  • I decided not to create full-color paintings. More pages means more work, and that was exactly what I was trying to avoid. If I stress myself out too much for a simple promo, it simply won’t get done. My illustrations are now just sketches, refined and cleaned up just a little. I was originally going to keep them black and white, but later decided to add a little simple color, just to give a little more pop but still keeping things nice and easy.

  • I added text. This really should have been there from the beginning.

Now, the downside of putting my project in the public’s eye is having to deal with the embarrassment of radically changing the layout after so many people have been following its progress. I hope the changes were for the better, and I generally feel good about them. You are welcome to leave any comments, positive or negative, about my decisions.

New Sketches

(click for a closer look)


What’s Left?

I still have to make a cover, and perhaps a title page. The cover will probably be a full color illustration. The text was put on really quickly as a placeholder, so parts of that might be redone/rewritten. I should be able to print and send these out soon. Leave your comments if you have any!

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14 responses to Illustrating a Children’s Story, Part 5

  • Wow, I love the changes that you made to the pages, I especially like the illustration with the full brick wall and the one with the brick house and the wolf puffing on it. I like the way you tied everything together with the color, too. The only thing that’s bugging me a little is the font of the text, it doesn’t seem to fit in with the illustrations.

    You are so brave to have re-done this whole thing! I liked the first one, too, but I do think this one is better. I probably would have just tried to grit it through and finish the first one while hating it, so I really admire the fact that you changed this around and made it work to suit you.

  • Catu says:

    I love the colours and the shapes of the characters’ bodies, but the last pig does look a lot like Bill Gates. I know you’re a fellow Mac user and I’d love it if you removed the glasses.

    Apart from that small detail, it’s absolutely wonderful… the fur, the wind, the textures, the watercolours, I can’t believe these are only sketches. I really wish I could paint like that! Amazing work.

  • chickengirl says:

    Don’t be embarassed. I love the honesty. If all projects went smoothly, we wouldn’t have discussions like this. Its the real deal of how great work is churned out! I actually like these new ones alot better. The empty space and limited palette. Very refreshing.

  • Angela Fehr says:

    I think that starting over is sometimes a big part of the creative process – the first version is a foundation for the second. But it is still so much work, right? The new pages look great and I think they are better than the first draft – love the colors and the swirly background – and the variety used in the quantity of detail on the pages is common in children’s illustration. Adding a few more pages helped too – seeing the original version, I remember it feeling like there were holes in the story, or it trying to say too much on too few pages. You’ve persisted when you could have given up and it has paid off!

  • lil kim says:

    It takes a lot of courage to start over so well done! I’ve only just happened upon your blog so don’t know your earlier sketches, but these look fantastic. your compositions are first rate!

  • I really appreciate your blog – I learn so much from your posts and your work is incredible! I’ve nominated you for an award :o) Check out my blog for all the details!

  • I love these! There’s a lot of movement where you need to have it, but is well contrasted by the white space and quietness of the other pieces. I also like the limited palette. Very well done. Your work is so inspiring. I read the comment about the type, and my feedback about it is that you don’t want the type to take away from the illustrated story. Your illustrations, not the type are telling the story. I think what you have is fine. It’s a traditional typeface that is easy to read.

  • Sonya says:

    I like these as well! I checked out your last post – no. 4 for the previous sketches, and truly, these new ones are heaps better in flow and story telling. The cool colours are nice too. I think you did a great job :)

  • Teddi says:

    Nice! It’s great to see the whole process, including decisions to re-do or change direction.

    Love the colors in the new pages (with the white highlights), and the overall style. Personally, I think it’s a great example of what happens when we go “one more version” past “this is good”. Follow your artistic heart — because sometimes “better” or “best” is just over the next rise. And personally I find that the more familiar I get with the subject, the better the visual characters and storytelling flows.

    (Of course, it can just as easily be overdone by trying too many times, but this is a case where taking another approach just made it better!)

  • Dani says:

    Thanks for the award Rachelle! And thanks for the all the lovely comments everyone!

  • kathy weller says:

    It kind of kills me that you call these sketches. I call them beautiful, and finished-looking, illustrations!

    As for feedback, I love the color palette you’ve chosen, and you really stuck to the color story too. If it fit the story, it would be fun to see a small, fun little pop of contrasting/complimentary color in some of the spreads. I don’t see how or why you would add something like that in at this point… but I am just thinking out loud, and imagining that the pigs have a ladybug friend, and I see the ladybug clinging to the straw hat during the first spread, then crawling away on the text side of the page on ‘sticks’, then on the brick wall toward the bottom of the brick wall on the ‘brick’ page… of course this would work well if all of the pigs were the SAME charater, and they are not… just thinking out loud…

    These are fantastic and I am grateful you share these, and your candid thoughts.

    • Dani says:

      Thanks for your feedback, Kathy. I like the idea of having a continuing friend/theme throughout the entire story. With all the different characters, I didn’t really accomplish that kind of flow or consistency to the best extent.

  • trev says:

    did you know you wrote ‘the third pig house built his house of bricks’?
    Shouldn’t it be ‘the third pig built his house of bricks’?

    incredible illustrative skills though, well done. your website is brilliant for advice to wannabe and alreadyare illustrators!

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